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Jean Rouch

Jean Rouch

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Born: 1917-05-31 • Paris, France • 129 titles

Known For - Page 7

Known For

Sigui 1968: The Dancers of Tyogou
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Movie1968en

Sigui 1968: The Dancers of Tyogou

Work(ing Together) in Process
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MovieN/Anl

Work(ing Together) in Process

The Dama of Ambara: To Enchant Death
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Movie1974fr

The Dama of Ambara: To Enchant Death

Movie1963en

Rose et Landry

Cemeteries in the Cliff
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Movie1951en

Cemeteries in the Cliff

Movie1973en

Sigui 1973: The Canopy of Circumcision

Movie1962en

Les pêcheurs du Niger

Boukoki
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Movie1973en

Boukoki

Movie1958en

La royale goumbé