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Barry Norton

Barry Norton

From Wikipedia, the free encyclopedia Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'." In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula. In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.

Born: 1905-06-16 • Buenos Aires, Argentina • 111 titles

Known For - Page 3

Known For

Variety Girl
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Movie1947en

Variety Girl

Pat and Mike
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Movie1952en

Pat and Mike

The Jazz Singer
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Movie1953en

The Jazz Singer

Mission to Moscow
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Movie1943en

Mission to Moscow

No Man of Her Own
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Movie1950en

No Man of Her Own

Let’s Be Ritzy
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Movie1934en

Let’s Be Ritzy

Small Town Girl
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Movie1953en

Small Town Girl

The Bronze Screen: 100 Years of the Latino Image in American Cinema
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Movie2002en

The Bronze Screen: 100 Years of the Latino Image in American Cinema

Unknown Blonde
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Movie1934en

Unknown Blonde

Keeper of the Flame
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Movie1943en

Keeper of the Flame

The Buccaneer
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Movie1938en

The Buccaneer

Room for One More
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Movie1952en

Room for One More

East Side, West Side
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Movie1949en

East Side, West Side

Hellzapoppin'
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Movie1941en

Hellzapoppin'

Ankles Preferred
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Movie1927en

Ankles Preferred

The Big Street
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Movie1942en

The Big Street

Tom, Dick and Harry
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Movie1941en

Tom, Dick and Harry

Movie1930en

Curmudgeon

Mister 880
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Movie1950en

Mister 880

Only Yesterday
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Movie1933en

Only Yesterday