Richard Taylor

Richard Taylor is a New Zealand filmmaker born on February 8, 1965 in England. He is the founder, creative director and head of New Zealand film prop and special effects company Wētā Workshop.

Born: 1965-02-08 • Cheadle, Cheshire, England, UK • 37 titles

Known For - Page 2

Known For

Movie•2006•en

The Making of 'The Return of the King'

Movie•2001•en

Passage to Middle-Earth: The Making of 'The Lord of the Rings'

Movie•2008•en

RKO Production 601: The Making of “Kong, the Eighth Wonder of the World”

Movie•2003•en

Perfect Strangers

Movie•2002•en

The Fellowship of the Ring: Designing and Building Middle-earth + Weta Workshop + Costume Design

Movie•2002•en

The Fellowship of the Ring: Scale

Movie•1998•en

The Making of 'The Frighteners'

Movie•1997•en

Forgotten Silver

Movie•2006•en

Recreating the Eighth Wonder: The Making of 'King Kong'

Movie•2003•en

The Quest Fulfilled: A Director's Vision

Movie•1997•fr

The Ugly

Movie•2002•en

The Fellowship of the Ring: The Road Goes Ever On..

Movie•1989•en

Sex, Drugs and Soft Toys - The Making of Meet the Feebles

Movie•2015•en

Reggie & Thunderbirds: No Strings Attached

Movie•2002•en

The Fellowship of the Ring: Big-atures

Movie•2022•en

No Way to Make a Living: A Look Back at 'The Frighteners'

Movie•1998•en

Richard Taylor

Known For - Page 2

Known For

The Making of 'The Return of the King'

Passage to Middle-Earth: The Making of 'The Lord of the Rings'

RKO Production 601: The Making of “Kong, the Eighth Wonder of the World”

Perfect Strangers

The Fellowship of the Ring: Designing and Building Middle-earth + Weta Workshop + Costume Design

The Fellowship of the Ring: Scale

The Making of 'The Frighteners'

Forgotten Silver

Recreating the Eighth Wonder: The Making of 'King Kong'

The Quest Fulfilled: A Director's Vision

The Ugly

The Fellowship of the Ring: The Road Goes Ever On..

Sex, Drugs and Soft Toys - The Making of Meet the Feebles

Reggie & Thunderbirds: No Strings Attached

The Fellowship of the Ring: Big-atures

No Way to Make a Living: A Look Back at 'The Frighteners'

Saving Grace