Similar to his previous work, Zòcalo, Pan is the result of synthetic cinematography - a photo animation of uncountable layers and over-lapping enriched additionally by gestural drawing. A bare winter wood marches passed, but this central motive is to be seen intact for only a short time before it is over-grown with polymorphous masks, arhythmic flashes of landscape particles. In between the more dense passages these are left isolated in empty, black space.